
The fascination with gangster movies has been immense worldwide. On this  side of the Atlantic, several gangster films have left giant footprints  on the sands of time. Films like DEEWAAR [Yash Chopra], DHARMATMA  [Feroz Khan], NAYAKAN [Mani Ratnam], ANGAAR [Shashilal Nair], PARINDA  [Vidhu Vinod Chopra], AGNEEPATH [Mukul Anand], SATYA and COMPANY  [Ramgopal Varma], VAASTAV [Mahesh Manjrekar], GANGSTER [Anurag Basu], D  [Vishram Sawant] and SHOOTOUT AT LOKHANDWALA [Apoorva Lakhia] have  tremendous recall value to this day.
ONCE UPON A TIME IN MUMBAAI recreates an era that so many of us have  left behind and for those who arrived on this planet post 80s, I am  sure, they must have visited the era through some medium or the other,  mainly movies and internet or during their academic careers. 
ONCE UPON A TIME IN MUMBAAI is not part of history, but it attempts to  portray on celluloid tales that are now considered legendary, that  continue to make news to this date. Of course, the disclaimer claims  that it bears no resemblance to a particular person, but you can't help  but draw parallels with real-life characters. It could be a coincidence,  though! 
ONCE UPON A TIME IN MUMBAAI is a fascinating story that talks of how the  mafia came into force for the first time in Mumbai. A thriller that  depicts the crime scenario in Mumbai during the 70s and 80s. The rise to  power of two young boys, in different age-groups, who grew up to 'rule'  the streets of Mumbai. 

  Since there's tremendous speculation in the media that ONCE UPON A TIME  IN MUMBAAI chronicles the lives of Haji Mastan and Dawood Ibrahim, the  curiosity to watch the film increases manifold. Of course, I am no one  to comment if it's actually based on their lives or merely borrows a few  incidents from their lives or is pure fiction, but as a cinematic  experience, I couldn't help getting transported to the bygone era,  getting sucked into a world I had no clue of. 
Besides the gangster chapter, one enjoys this film also because of its  riveting drama and the power play. It could've been set anywhere, in the  corporate world, in politics, in the film industry. Anywhere. The rise  and subsequent fall of the King and the emergence of the Prince as the  super power is what makes this film a compelling watch. The icing on the  cake is the magical and lilting song compositions that are juxtaposed  so beautifully in the goings-on. On the sidelines of the power play, a  game of hearts is being played and that's what makes ONCE UPON A TIME IN  MUMBAAI a wholesome movie experience. 
Final word? ONCE UPON A TIME IN MUMBAAI is not to be missed. Set  everything aside this coming weekend and watch this one. Strongly  recommended! 
The film, set primarily in 1970s Mumbai, follows the rise of Sultan  Mirza [Ajay Devgn] and the conflict that ensues, when his protégé Shoaib  Khan [Emraan Hashmi] challenges his supremacy and usurps power to rule  the murky underbelly of Mumbai. 

  ONCE UPON A TIME IN MUMBAAI is a power-packed drama that makes you  thirst for more. You rewind to an era of romance, smuggling, cabaret and  mafia, but director Milan Luthria and writer Rajat Aroraa ensure that  there's no sleaze or bloodshed-n-gore. In fact, there's hardly any  violent sequence in the movie, except for one when Ajay hammers a cop  during a 
naaka-bandi. 
ONCE UPON A TIME IN MUMBAAI is not a biopic, but narrates the story  through the eyes of a police officer [Randeep Hooda], who traces the  changing face of the Mumbai underworld. The screenplay encompasses  several moments that may compel you to draw parallels with real life,  but talking strictly from the movie-going point of view, it satiates you  completely. In fact, the writing is cohesive, smart and watertight and  there's never a dull moment. Besides, there's no time to think whether  it's factual or loosely based on someone's life or a work of fiction. 
As I look back and recall the movie, a number of sequences flash across  my mind. Note the sequence when Ajay divides the city amongst  gangsters... The train sequence at the very start... The introduction of  Emraan Hashmi's character... Randeep Hooda's landing on a film set and  confiscating the equipment... The subsequent sequence, when Randeep is  framed for accepting bribe... The romantic moments between Emraan and  Prachi in the jewellery shop... Emraan starting his business and the  confrontation that ensues between Ajay and Randeep... The showdown  between Ajay and Emraan, with Ajay slapping Emraan in full public  view... The conclusion to the story is equally novel. It stays in your  memory and sets you thinking. 

  On the flipside, the story begins with Randeep attempting suicide, but  the writer should've cited the reason that prompted him to take that  drastic step. Sure, there's a mention at the start, but it doesn't  register well. Also, you are keen to know the chain of events that drove  Randeep to suicide. Also, the pace slackens in the middle of the second  hour, but picks up dramatically when Ajay returns from Delhi and  confronts Emraan. Besides, how I wish the film had a shorter, mass  appealing Hindi title to attract more eyeballs and a big jump in  footfalls [at single screens and smaller centres mainly] for a mass  appealing subject like this. 
This is director Milan Luthria's best work to date, no two opinions on  that. Recreating the bygone era is tough and the director, the writer  and the art director [Nitin Chandrakant Desai] deserve brownie points  for giving the film that authentic feel. In fact, the film wears a chic  retro look throughout. Even otherwise, Milan's handling of the subject  material is exemplary. This film is sure to catapult him to the top  league. Rajat Aroraa's screenplay is powerful and engaging. The writer  marries heavy-duty drama and subtle and delicate emotions beautifully. I  would like to make a special note of the dialogue, also penned by Rajat  Aroraa, which are simply fantastic. In fact, the dialogue writing is  such it elevates even an ordinary sequence to great levels. One rarely  comes across such potent dialogue in today's times. 

  Pritam's music is another ace. Injecting songs and that too a terrific  soundtrack in a gangster film is tough. He did it in GANGSTER. He does  it again in ONCE UPON A TIME IN MUMBAAI. 'Pee Loon', 'Tum Jo Aaye' and  the remix of APNA DESH track are super compositions, which are also  placed appropriately in the plotline. Cinematography [Aseem Mishra]  captures the look to perfection. Akiv Ali's editing is sharp. 
ONCE UPON A TIME IN MUMBAAI is embellished with fantastic performances.  Ajay Devgn is splendid as Sultan. The actor had enacted a similar role  in COMPANY, but it must be said that his interpretation is so different  in ONCE UPON A TIME IN MUMBAAI. He adds so much depth to the character,  which only goes to prove his range and versatility. This is, without a  trace of doubt, Ajay's finest work so far. Emraan Hashmi is brilliant as  the power greedy, wildly ambitious rebel. He plays the dark character  to perfection. He's incredible in the penultimate moments of the film in  particular. Besides carrying the look to perfection, Emraan is sure to  break-free from the lover boy, serial kisser image with this film. 

  Kangna Ranaut is extremely natural and performs very well. Also, she  brings so much of sensuality and glamour to her character [an actress of  the 70s]. In fact, Ajay and Kangna make a wonderful on-screen pair.  Prachi Desai is a bundle of talent who proves her mettle yet again.  She's proficient in emotional scenes and sizzles in the BOBBY  song-sequence. Besides, the chemistry between Emraan and Prachi is  exciting. Randeep Hooda is top notch. Even though the film belongs to  Ajay and Emraan, Randeep makes his presence felt with a powerful  performance. This film should prove to be the turning point in his  career. 
Avtar Gill [as Home Minister] is good. Naved Aslam [as Patrick, Ajay's  trusted lieutenant] is perfect. Mehul Bhojak [as Emraan's friend Javed]  is competent. Ravi Khanwilkar [as Vardhan] is satisfactory. Gauhar Khan  sizzles in the remix track. 
On the whole, ONCE UPON A TIME IN MUMBAAI is an extremely well-made film  that lingers in your memory. The realism coupled with stellar  direction, power-packed writing, exceptional performances and  ear-pleasing tunes are its trump cards. An outstanding cinematic  experience!
RATING: 4/5