In exciting news for his Pakistani fans, Shahid Kapoor could be shooting in Pakistan for a Mira Nair film, Aaj TV channel reported today (October 22).
According to the Pakistani channel, noted Indian film director Mira Nair is planning to make a movie based on Pakistani writer Mohsin Hamid's second novel 'The Reluctant Fundamentalist'.
The yet-to-be-named film is expected to be shot in Pakistan. But it is not yet clear whether the necessary permissions have been sought for this purpose. The interior ministry and foreign ministry on both sides of the border have to be involved if any such project has to go ahead , the TV channel said quoting unnamed sources.
Shahid Kapoor, the channel reported, has not signed the contract yet but has shown interest in reading the script and is also excited about working with US-based Mira Nair, who has won critical acclaim for her off-beat films. Her 'Salaam Bombay' in 1988 was shortlisted for the Academy Award in the category of best foreign film.
Mohsin, a Harvard-educated law graduate, is based in London and has won acclaim for his incisive and engaging writings. He shot to fame with his first novel 'Moth Smoke' in 2000. 'The Reluctant Fundamentalist' was published in 2007 and soon become an instant best-seller.
Earlier, Mahesh Bhatt had also planned to shoot his film 'Mandi' while Shah Rukh-starrer 'Veer Zara' was also supposed to be shot partly in Pakistan but the plans had to be shelved because of administrative hassles.
The story of 'The Reluctant Fundamentalist' revolves around a Pakistani man who lets go of his life of fame in America after a failed love affair and the 9/11 terror attack. The novel was translated in more than 25 languages, won the Anisfield-Wolf Book Award and was also shortlisted for the Man Booker Prize.
With a dying Pakistani film industry that produces hardly a handful of movies in Urdu, Punjabi and Pushto languages each year, Indian movies are a rage in Pakistan.
The release of Indian movies allowed in Pakistan a couple of years ago after a break of more than 40 years has also helped to bring the general public back to cinema houses.
Shahid Kapoor, who is back in the city after a hectic schedule in Scotland for 'Mausam', wants to catch his co-star Sonam Kapoor's 'I Hate Luv Storys'.
Shahid Kapoor got some gyaan on who'd be the right girl for him from some unexpected people recently. But considering that the people were his younger brother and sister, Sasha took it all in the right spirit.
Freshly cooked, piping hot food is savoured instantly. Similarly, a film that radiates freshness catches your eye instantaneously. Conversely, if a film takes a really long time to hit the screens, it generally doesn't find a place in your things-to-do-this-weekend list, unless the word of mouth is electrifying. MILENGE MILENGE suffers for this reason. Even the man on the street knows that it's a dated product!
But MILENGE MILENGE has 'kismet' keeping the lovers apart. Imagine a love story where the lovers have already expressed love for each other, but some force beyond their control gets in their way and keeps them apart till the end of the film. The script indulges in bringing its leads together, but also makes sure that they stay far away from each other till minutes before the film is about to conclude. Sure, this thought sounds interesting on paper, but there's a flipside to it. With Facebook, Twitter, Google and also cellphones at one's disposal, is it difficult to trace anyone in today's times? Naah, not anymore! 
Immy tries to regain her trust by telling her that they are destined to be together. Priya decides that if it is destined that they be together, then they will find each other in Delhi again, although both do not know each other's whereabouts in Delhi. Three years later, Immy returns from abroad, while Priya is now settled in Mumbai. Immy is engaged to a family friend's daughter [Aarti Chhabria], while Priya has also moved on in life. She is in a relationship with a pop singer. 
Both Shahid and Kareena play the hopeless romantics to the hilt. Their [then] off screen chemistry comes across very well on screen. Although the film was shot several years ago and Shahid looks boyish all through, his performance is consistent and believable. Kareena is equally convincing. Aarti Chhabria has nothing to do. Delnaaz Paul [Kareena's friend] and Sarfaraz Khan [Shahid's friend] get ample scope and are noticeable. Satish Shah is hardly funny. Kirron Kher sparkles in a brief role. Himani Shivpuri is wasted. 
With Sonam Kapoor heading for Mumbai for the promotion and release of her new film 'I Hate Luv Storys', shooting for 'Mausam' in Edinburgh slackened up a bit.
Shahid Kapoor says he was left stunned by his father Pankaj Kapoor's performance in the comedy 'Happi'.
After HOUSE FULL opened to an excellent start last week, it was the turn of BADMAASH COMPANY to open to a heartening start at the box-office. Shahid Kapoor's last major release CHANCE PE DANCE [not counting PAATHSHAALA] had fetched a below average start, so it was imperative that BADMAASH COMPANY fetch a good start at the ticket window. The opening numbers of BADMAASH COMPANY were an impressive 80% to 90% at places, while at places it ranged from 45% to 75%, which only improved towards the evening shows.
Actor turned debutante director Parmeet Sethi made a startling confession on my show, a few days ago. He said, he had completed the entire script, with dialogue, in six days flat. I was apprehensive initially, but not once does BADMAASH COMPANY give you the feeling that it's a hurried job or the debutante writer-director, in a bid to start his first film, had left blanks incomplete.
The best thing about BADMAASH COMPANY is that you identify with the mindset of those who aspire to reach the pinnacle of success using shortcuts. The scams and the con games the youth indulge in are easy to decipher and least complicated, which works in its favour. Another strong point is the camaraderie that the four actors share on screen. The film would've fallen flat if the chemistry was missing, but the bonding looks so real that you forget that they are merely enacting those roles. 
Anushka is a revelation. She looks stunning, her performance is livewire and the chemistry with Shahid is electrifying. Strangely, she took a backseat after her debut in RAB NE BANADI JODI, but BADMAASH COMPANY will bring her back in public eye. Vir Das is another surprise. He's in terrific form here. The film marks the 'birth' of another talent -- Meiyang Chang -- who adds a lot of freshness and zing to his character. Anupam Kher is wonderful. Kiran Juneja makes her presence felt. Pawan Malhotra is extremely likeable. 
